Archive for the ‘Marketing’ Category
The Benefits of a Limited Social Media Fast
During the 40 days of Lent, I decided to fast from social media in a limited sort of way. While I know it’s probably more common to quit these things cold turkey, I didn’t think that 40 days separated from social media would actually provide the benefits I needed for the long term.
The Problem
I was using Twitter and Facebook as sources of constant distraction from my work, family, and spiritual life. I wanted to use social media as a tool to communicate with potential readers, to network with fellow writers, and to keep in touch with friends. Instead I checked them both an unseemly number of times in search of links, conversations, or anything that I could read.
I responded to any mention or post immediately. Links to interesting posts were pursued, and I left comments without thinking about the time they consumed.
Any time I hit a tough spot in my writing, I’d drop by Twitter or Facebook.
I needed to break my dependency on these tools, while learning how to use them in healthy ways. It wasn’t going to help me if I could quit cold turkey for 40 days, learn a few lessons, and then gradually forget them over the following months while rediscovering the lure of social media again.
I needed a practical way forward so that my personal, spiritual, and work times were equally guarded that would last beyond Lent.
The Plan
I settled on a plan to spend only 30 minutes each day on Twitter and Facebook. To be honest, that seems absurdly long, but in practice the time goes by quickly! I broke it into 3 ten-minute slots. This meant that I needed to make the most of my time online and if I really wanted to interact with people, I needed to space my time out.
This required a decent amount of discipline, since I wanted to think of interesting things to say, but I also wanted to read what other people were sharing. I didn’t have unlimited time to follow blog posts and links.
In addition, effectively tracking your friends on a tool like Tweetdeck, as I do, I needed to leave Tweetdeck open for a while before I could look at it. I hide my menu bar so as to limit the temptation, but I still knew it was there.
The Results
While I certainly missed my sources of distraction, I soon appreciated the limits of my fast. Sometimes I followed links and ended up reading them beyond my time limit, so I had to subtract time from my next 10-minute session. I probably interacted online a lot less to my detriment in some ways, but I also thought a lot more about effectively using my limited time, which is a real benefit.
I’m most grateful that I broke the habit of checking social media first thing in the morning. Instead I spend my early morning time writing fiction, drinking coffee, reading scripture, and praying. My mornings are SO much better without Twitter and Facebook.
Waiting until 11 AM or later for social media really helps me use my most productive times in the most effective ways—both for work and spiritual growth. I never catch myself thinking, “Damn, I wish I’d spent 30 minutes on Twitter this morning instead of praying or editing my novel!”
In addition, HubSpot marketing found that more people are willing to retweet something on Twitter around 11 AM, so I really have no reason to use Twitter before 11 AM. I can share my links and socialize at 11 AM just fine.
Perhaps my biggest problem was that I found new distractions such as checking my e-mail, but even that was a bit easier to resist since it’s much easier to convince myself that no new e-mails have arrived in the past 15 minutes. Twitter guarantees fresh content. In addition, an empty inbox isn’t all that distracting even on my worst day.
Here are some outcomes from my limited fast:
- I now budget an extra 30 minutes for blog reading and networking.
- I stick to the 3 ten-minute social media sessions on Tweetdeck and Facebook. I aim for 11 AM, 2 PM, and 5 PM.
- I try to avoid social media at night. If I want to drop someone a note or need to send a message via Facebook, I can drop in, send the note, and then log off.
- I allow myself to visit Twitter online if I want to post something, but I can’t do anything else.
How have you dealt with your bad habits in social media? Have you tried sometime different that worked?
Should You Edit Your Twitter Updates?
Yesterday I almost sent out a press release with a horrendous sentence in it that would have made nuns weep. Are you ready for this?
“Actor NAME will be dramatizing the birth of Jesus.”
I wrote the release late one night, sent it to someone else, edited it the next day with that person’s feedback, and then I opened it the following day to give it one last read-through.
Then I caught it.
Two sets of eyes reading through the release a total of four times before catching that whopper of a sentence. And that got me thinking, are there any other forms of communication where we need to exercise extra caution with the words we use?
If there’s one medium that welcomes, nay begs, for gaffs and awkward statements, it has to be Twitter. Designed for quick, instantaneous communication, Twitter allows us to share anything we’re thinking with thousands of people with a tap of the finger.
The possibility of saying something so stupid, so quickly to so many takes my breath away.
I worry about having moments like Michael Scott (a la The Office) where I’ll mean one thing and inadvertently say something offensive or rude when the words leave my lips. That’s why I fear on Twitter.
While I may have deleted a few tweets in my day, more often than not I simply abstain from tweeting anything that could possibly be misconstrued. In addition, I read and reread my tweets before I send them out into the world.
And yet, I still worry about writing something dumb.
How I communicate with others is important, and I want everything I send out to have some kind of value as information, humor, a question, or encouragement. Misspelled words, bad grammar, or a careless phrase damages the overall impact and value of the rest of my communication on Twitter.
Even if a tweet can be deleted, damage may be done among those who read an errant tweet before it’s removed. The words we use matter, even they’re part of an endless stream of 140-character messages that flood the internet. The last thing you want is to be noticed for the wrong kind of message.
What You Need to Know About Self-Publishing: Solving the Distribution Problem
One of the greatest obstacles that self-published authors will face is finding people to actually buy their books.
Think about it. No one will visit a book store and stumble upon your book. No one will find it on a publisher’s web site. No one will read about it in a catalogue. No one will want to stock in a book store because it’s self-published.
Oh, of course you can sell it online, but how will readers find it?
That is the trick. Can you assemble a realistic marketing plan that will sufficiently take into account all of the setbacks that self-publishing brings, while still connecting with readers on a scale that will ensure you sell enough copies to at least break even?
Ah, distribution is a huge problem for self-published authors. Heck, when self-publishing A Path to Publishing, I still didn’t quite grasp the amount of work ahead of me or the sheer quantity of potentials readers I needed to connect with in my niche.
Where should you start if you’re self-publishing?
For starters, check out my free online marketing guide. That gives both traditional and new ways to market your work.
However, the most important principle in selling books is to make a real connection with a potential reader and to communicate clearly why he or she may want to buy your book. Someone else may be able to do that for you by way of an endorsement or a review, but kicking it all off depends on you and you alone.
I began this series saying that “self” is the key word when it comes to “self-publishing”. If you have any hopes of selling your book, make sure you have more than Plan A and B for distributing your book. You’ll probably need to have plans that range from A to Z.
Your job is to find the communities, blogs, forums, Twitter users, Facebook users, groups, societies, and any other group of potential readers in your content niche. That is the publishing sales game in a nutshell, and it’s a tough one on your own!
What You Need to Know About Self-Publishing: Get Known First
In conjunction with the release of my self-published book A Path to Publishing: What I Learned by Publishing a Nonfiction Book, I’m offering this series of posts on what you need to know about self-publishing.
When you’re self-publishing all of the work falls on you, the author. No matter how much published authors complain about the lack of marketing support provided by their publishers, which can be spotty at times, the worst publicist will do more than upload a file to a web site, which is all you’re doing when self-publishing.
The Basic Ways Publishers Market
Publishers have established lists of contacts who receive their catalogues, e-mail newsletters, and browse their web sites. They represent authors at book stores and can send releases out to major press services—something that can be quite costly to do on your own.
The staff at publishers generally have social media accounts and blogs, and they may even generate some buzz for your book through these tools. At the very least these publishing professionals will tell potential readers about your book. You’ll at least have a few warm bodies with a measure of interest in selling your book.
Any way you slice it, the least that a publisher provides still puts their authors way ahead of the self-published ones.
What Self-Published Authors Need to Do
While it’s important to seek out some reputable endorsers and reviewers who have a large group of readers, I don’t think self-published authors realize the number of readers they need to pull off a self-published book that sells more than 25-50 copies. Simply put, self-published authors need a massive number of connections with potential readers.
The “potential reader” part of this is crucial. Authors may have lots of “connections” through social media, their blogs, or more traditional means, but many of these connections may not view their books as something they’ll want to purchase.
I’ve done quite a bit of networking, but I have been reading Crush It! by social media expert and entrepreneur Gary Vaynerchuk, and he’s been blowing my mind. I usually drop by some blogs to leave comments and contribute to writing forums, but he advocates a scale of networking that few would ever consider.
I sure didn’t!
I could try to describe it to you, but to be honest, I’d be doing you a disservice because I can’t do his methods justice. Crush It! is available at a pretty low price as a Video Book, which I highly recommend, though it’s also available in print. You may not do everything Vaynerchuk suggests, but I think he’ll give self-published authors the reality check they need about how involved the marketing process will be for their books.
An author who is new to the publishing process will underestimate the amount of work necessary for marketing. Count on it. As a published author I still underestimate the amount of work I need to do. Before you invest heavily into a book, begin marketing yourself and making connections today. It’s a worthwhile investment you won’t regret.
Next Steps
- Check out the free online marketing guide at www.pathtopublishing.com.
- Pick up Get Known Before the Deal, a must-read for authors new to marketing their work.
- View a sample of Crush It! by Gary Vaynerchuk at vook.com.
Advertising Fail: Hartford, Connecticut as a Beach Destination
As found on Facebook: What is wrong with this picture?
Did you know that Hartford, Connecticut is located along the beach and the women have freakishly long hyper-extending legs???
Is there a neighborhood in Hartford that I’m missing? I mean, I haven’t seen the whole city yet, but I’m pretty sure there’s an advertising intern who needs a geography lesson pronto.
The Complete List: Five Great Things That Don’t Sell Lots of Books… And Two Things that Do
Five Great Things That Don’t Sell Lots of Books…
These are all essential and important details that can help you sell books, but they are not the most important factors in selling a book.
Two Things That Sell a Lot of Books…
These are the two most important factors in selling books according to my own experience and to other authors I know.
Two Things that Sell a Lot of Books: #2 A Trusted Name with an Extensive Platform
Whether you have a popular web site, a radio show, an informative newsletter, or professional credentials, selling a book requires a personal connection. Selling a lot of books requires this level of personal trust on a large scale.
While reviews, social media, and web sites are all part of extending a marketing platform, these pieces should not be confused with making very personal connections with readers. Twitter and blogs are great, but they have their limits.
The Kind of Connections Authors Need
From what I can tell, my greatest success in selling books has come from personally talking with readers whether through personal conversations, events, e-mail, or interaction on web sites.
When I have a chance to share my passion for my book, I have a much greater chance of convincing readers to spend their hard-earned money on it. However, reaching potential readers with your personal message and creating enough trust for them to spend money on your book requires a fairly significant number of connections with readers.
I personally would not endorse every method used by authors out there to sell books and some will be more difficult for new authors to use effectively, especially radio and television, but there are lots of ideas out there about building a platform that will help you speak directly with readers and develop a level of trust for you and your book from a monthly newsletter with valuable information to a niche-focused public event.
How to Connect with Readers
Building a platform begins with the question, “How can I effectively connect with readers interested in my topic?” Keep in mind, this isn’t the same as advertising, and posting to a web site is probably the least personal way to do this, making it generally less effective.
I’m building my e-mail newsletter, working on some videos, leading workshops with local community and arts organizations, and connecting with various podcasts, but the possibilities are endless. I’ve been encouraged to hear from a respected author and friend that he finds my newsletter very valuable, and many of those who attend my workshops give me positive feedback. It’s good to know I’m doing a few things right, even if there’s always a lot more to do.
The hardest part about building these connections with readers is starting small. You may begin with twenty newsletter subscribers and workshops with only five attendees. However, if you continue to make connections, to help people with your material, and to build on those relationships, you should be able to connect with enough readers who will not only trust you enough to buy your book, they may also recommend it to others.
Previously in this Series:
Two Things That Sell a Lot of Books: #1
Also in this series: Five Great Things That Don’t Sell a Lot of Books
Two Things That Sell a Lot of Books: #1 A Well-Written Book Targeted to an Audience
There are many factors that determine whether a book sells. After taking my own crack at publishing and reading about the experiences of other writers, I’ve learned about the things I’ve done well and the areas where I need to improve. I’m speaking pretty specifically about my experiences with nonfiction writing, though I’d say that a fiction writer, with a few tweaks here and there, could generally follow the same principles.
While authors can’t control the economy, the trends in popular culture, and even unexpected reader preferences, there are two factors that will disproportionately influence how well their books sell.
Today we’ll cover the first thing that sells a lot of books: A well-written book that is targeted to a specific but wide audience.
Writers can’t simply sell books based on the merit of an idea or the quality of their writing—though these things are very important. They need to write clear sentences, paragraphs, and chapters that guide readers from chapter to chapter and convince them to keep reading and, on a related note, address the needs of a wide but specific audience.
Write Clear Chapters That Engage Readers
After reading what other writers do when composing drafts of their books, I’m often impressed with the number of drafts they complete and the detail of their revisions. They think about word choice, introductions, conclusions, transitions, and edit with a fine-tooth comb several times. The amount of text some delete is astounding.
Good writing isn’t an accident.
My own editor encouraged me to think about why I’m making a particular point, how it relates to the next point, and how each point ties in with the larger argument or concept of my book. As I read bestselling authors I’ve noticed their skill at hooking readers with an problem, a concept, or a mystery. They convince me that I need to keep reading in order to find that information.
Step-by-step, a good book walks readers through a story, an argument, or lesson. The writer can’t abandon the reader part-way through the book. No matter how good the idea or how important the information, if readers feel overwhelmed with information or confused by dots that aren’t connected, they’ll put the book down. Typically, writers will fail in this regard because they have ignored the closely related principle of writing for an audience.
Address the Needs of an Audience
While good writing is important, authors must also adopt a targeted approach to their book’s intended audience. Besides merely addressing a need of potential readers, authors should address that need in a way that is accessible and hopefully remarkable. When many readers find themselves inserting caveats such as “I liked this book, but I found it hard to follow at times…” some wind is taken out of its word-of-mouth appeal.
I have learned how easy it is to get wrapped up in covering my bases or in addressing every possible angle of a topic that I miss readers in the process. Most readers of my book don’t take any issue with my ideas, but some weren’t too happy about the amount of information I included. Though many readers were tracking with me, I’ve found that I sometimes warn new readers, who may be completely new to theology, about two chapters in particular that are a bit… dense. In other words, my desire to be thorough trumped my ability to connect with all of my intended readers.
We can pick up books from the library, look up information online, and hear authors talk about their books on the radio, therefore, if writers want readers to say, “I really need to own that book,” and to take the next step of saying, “All of my friends need to own that book too,” we need to get into the minds of our audience. This is an ongoing struggle to figure out the best way to connect our ideas with the preferences and needs of our readers.
It’s easy enough to think of an idea or concept that may appeal to a wide group of people, but to present that idea in a way that addresses the questions and concerns of a broad group of readers, meets a felt-need, walks readers through step-by-step, and prompts them to tell others is the holy grail of publishing—that is, if you ask me.
The next step…
Our next topic in this series will be the second thing that sells a lot of books: A Trusted Name with an Extensive Platform
Also in this series: Five Great Things That Don’t Sell a Lot of Books
Five Great Things That Don’t Sell Lots of Books: #5 A Web Site
It’s common wisdom today that every author needs a web site. A web site is a lynch pin for any social media strategy, and it is an essential place where authors can build up an audience of readers. Seth Godin tells authors to invest about three years into making a web site successful.
To really make a web site work takes quite a bit of time and effort.
For starters you need to develop a plan for composing posts and learning how to write for a blog. A good place to start includes:
- Writing a series each week on a particular topic.
- Keeping your word count to a lean 200-400 words.
- Focusing on “How to” content to make sure you connect with readers.
Besides this you’ll need to make sure your web site is optimized for search engines, that your posts appear on social media, and that you’re leaving useful comments on the sites of fellow bloggers. Are you feeling a bit dizzy yet? Well, I’m leaving a lot out!
The trouble is that authors can invest a ton of time into their web sites and even draw a nice crowd of readers without necessarily succeeding in selling a lot of books. In addition, a web site can fall on hard times when writing and promoting a book comes into play—especially for writers who have day jobs!
Great content and high numbers of readers are certainly important for any author looking to promote his/her work. Readers need to be able to find you and to learn about your writing based on your site.
However, a web site is not an active marketing tool. Rather, it’s more of a landing and conversion tool. Marketing campaigns need a web site that readers can visit, but having a web outpost does not guarantee readers. Web sites can be designed poorly or marketing can fail to draw in readers.
By all means invest in a web site, but don’t forget there are two other things you can do that may well effectively sell more books in the long run… That’s where we’re going next.
The rest of this series:
A Web Site
Two Thing That Do
A well-written book that is targeted to a specific but wide audience.
A Trusted Name with an Extensive Platform
Five Great Things That Don’t Sell a Lot of Books: #4 Online Social Media
Social media is possibly the hardest topic on this list to write about because there will be exceptions to what I have to say, and cultivated properly, social media can do quite a bit to spread the word about a book. Once something goes viral an author may well have it made.
While there is much to commend about building up a presence on social media, and it can work over time, I’ve spoken with plenty of experienced publishers and marketing experts who caution authors about the danger of giving up on traditional marketing tools in favor of, as one put it, sitting at their computers all day to do online networking.
Don’t get me wrong, it can be incredibly powerful, especially when someone can read something you’ve written or a video you’ve made and click through to a sample of your book and then a sales page.
However, many times social media may only result in more blog views, followers, and interest rather than actual book sales. Online tools may still only make a weak connection with readers.
You can take Seth Godin’s discussion of faux followers vs. viral growth as a great example of this. Someone could spend a lot of time amassing followers on Twitter or friends on Facebook, but how many of these connections will actually become invested in your book, buy it, read it, and tell their friends about it? Godin suggests, “A slightly better idea defeats a much bigger but disconnected user base every time,” but we’re getting ahead of ourselves.
In order for book sales and referrals to happen, you certainly need to use social media and to become a contributing member of the community. However, for people to actually buy your book there needs to be a bit more going on than a weak social media connection. While social media is essential, it’s not powerful enough on its own to help authors put books into the hands of readers.
The rest of this series:
Online Social Media
A Web Site
Two Thing That Do
A well-written book that is targeted to a specific but wide audience.
A Trusted Name with an Extensive Platform
Thanks for Visiting!
Ed Cyzewski is a freelance writer and author of Divided We Unite: Practical Christian Unity, Coffeehouse Theology and A Path to Publishing. He also blogs on Christian belief and practice at www.inamirrordimly.com.Other Projects
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