How does one arrive at such a position without having accomplished any of the required “rocking” or “stardom” that is typically associated with rock stars?

Don’t worry, I’m a professional writer, and I’m here to help. While I am not a rock star in either the literal or self-proclaimed sense, I have observed enough self-proclaimed rock stars to cobble together a handy little guide that will show you the can’t-fail path to self-proclaimed rock stardom:

Step 1: Choose A Non-Rock Career

Choose a career path that is most certainly not related to rock music—the more boring and technical, the better. For example, marketing, website design, or social media consulting are particularly fertile careers for non-rock stars to claim rock star status.

Step 2: Adopt a Peppy Tone

Rock stars are passionate, off the chain characters who defy bland copywriting. Jazz up your website’s about me pages and social media profiles with peppy descriptions of how awesome you are. You’re really living on the edge if you can also claim you’re a ninja while weighing over your recommended body mass index.

Step 3: Crown Yourself a Rock Star

Peppy copy alone does not make you a rock star. Rock stars are self-confident and cocky enough to call themselves “rock stars,” critics be damned. Claiming rock star status for yourself, even if you’re hardly a social media maven or a blogging guru, is about going out there and taking what’s yours.

You know you’re a rock star already, so go out there and type it into your profile now, you… you… rock star.

The Problem

I was using Twitter and Facebook as sources of constant distraction from my work, family, and spiritual life. I wanted to use social media as a tool to communicate with potential readers, to network with fellow writers, and to keep in touch with friends. Instead I checked them both an unseemly number of times in search of links, conversations, or anything that I could read.

I responded to any mention or post immediately. Links to interesting posts were pursued, and I left comments without thinking about the time they consumed.

Any time I hit a tough spot in my writing, I’d drop by Twitter or Facebook.

I needed to break my dependency on these tools, while learning how to use them in healthy ways. It wasn’t going to help me if I could quit cold turkey for 40 days, learn a few lessons, and then gradually forget them over the following months while rediscovering the lure of social media again.

I needed a practical way forward so that my personal, spiritual, and work times were equally guarded that would last beyond Lent.

The Plan

I settled on a plan to spend only 30 minutes each day on Twitter and Facebook. To be honest, that seems absurdly long, but in practice the time goes by quickly! I broke it into 3 ten-minute slots. This meant that I needed to make the most of my time online and if I really wanted to interact with people, I needed to space my time out.

This required a decent amount of discipline, since I wanted to think of interesting things to say, but I also wanted to read what other people were sharing. I didn’t have unlimited time to follow blog posts and links.

In addition, effectively tracking your friends on a tool like Tweetdeck, as I do, I needed to leave Tweetdeck open for a while before I could look at it. I hide my menu bar so as to limit the temptation, but I still knew it was there.

The Results

While I certainly missed my sources of distraction, I soon appreciated the limits of my fast. Sometimes I followed links and ended up reading them beyond my time limit, so I had to subtract time from my next 10-minute session. I probably interacted online a lot less to my detriment in some ways, but I also thought a lot more about effectively using my limited time, which is a real benefit.

I’m most grateful that I broke the habit of checking social media first thing in the morning. Instead I spend my early morning time writing fiction, drinking coffee, reading scripture, and praying. My mornings are SO much better without Twitter and Facebook.

Waiting until 11 AM or later for social media really helps me use my most productive times in the most effective ways—both for work and spiritual growth. I never catch myself thinking, “Damn, I wish I’d spent 30 minutes on Twitter this morning instead of praying or editing my novel!”

In addition, HubSpot marketing found that more people are willing to retweet something on Twitter around 11 AM, so I really have no reason to use Twitter before 11 AM. I can share my links and socialize at 11 AM just fine.

Perhaps my biggest problem was that I found new distractions such as checking my e-mail, but even that was a bit easier to resist since it’s much easier to convince myself that no new e-mails have arrived in the past 15 minutes. Twitter guarantees fresh content. In addition, an empty inbox isn’t all that distracting even on my worst day.

Here are some outcomes from my limited fast:

• I now budget an extra 30 minutes for blog reading and networking.
• I stick to the 3 ten-minute social media sessions on Tweetdeck and Facebook. I aim for 11 AM, 2 PM, and 5 PM.
• I try to avoid social media at night. If I want to drop someone a note or need to send a message via Facebook, I can drop in, send the note, and then log off.
• I allow myself to visit Twitter online if I want to post something, but I can’t do anything else.

How have you dealt with your bad habits in social media? Have you tried sometime different that worked? 

Think about it. No one will visit a book store and stumble upon your book. No one will find it on a publisher’s web site. No one will read about it in a catalogue. No one will want to stock in a book store because it’s self-published.

Oh, of course you can sell it online, but how will readers find it?

That is the trick. Can you assemble a realistic marketing plan that will sufficiently take into account all of the setbacks that self-publishing brings, while still connecting with readers on a scale that will ensure you sell enough copies to at least break even?

Ah, distribution is a huge problem for self-published authors. Heck, when self-publishing A Path to Publishing, I still didn’t quite grasp the amount of work ahead of me or the sheer quantity of potentials readers I needed to connect with in my niche.

Where should you start if you’re self-publishing?

For starters, check out my free online marketing guide. That gives both traditional and new ways to market your work.

However, the most important principle in selling books is to make a real connection with a potential reader and to communicate clearly why he or she may want to buy your book. Someone else may be able to do that for you by way of an endorsement or a review, but kicking it all off depends on you and you alone.

I began this series saying that “self” is the key word when it comes to “self-publishing”. If you have any hopes of selling your book, make sure you have more than Plan A and B for distributing your book. You’ll probably need to have plans that range from A to Z.

Your job is to find the communities, blogs, forums, Twitter users, Facebook users, groups, societies, and any other group of potential readers in your content niche. That is the publishing sales game in a nutshell, and it’s a tough one on your own!

In conjunction with the release of my self-published book

When you’re self-publishing all of the work falls on you, the author. No matter how much published authors complain about the lack of marketing support provided by their publishers, which can be spotty at times, the worst publicist will do more than upload a file to a web site, which is all you’re doing when self-publishing.

The Basic Ways Publishers Market

Publishers have established lists of contacts who receive their catalogues, e-mail newsletters, and browse their web sites. They represent authors at book stores and can send releases out to major press services—something that can be quite costly to do on your own.

The staff at publishers generally have social media accounts and blogs, and they may even generate some buzz for your book through these tools. At the very least these publishing professionals will tell potential readers about your book. You’ll at least have a few warm bodies with a measure of interest in selling your book.

Any way you slice it, the least that a publisher provides still puts their authors way ahead of the self-published ones.

What Self-Published Authors Need to Do

While it’s important to seek out some reputable endorsers and reviewers who have a large group of readers, I don’t think self-published authors realize the number of readers they need to pull off a self-published book that sells more than 25-50 copies. Simply put, self-published authors need a massive number of connections with potential readers.

The “potential reader” part of this is crucial. Authors may have lots of “connections” through social media, their blogs, or more traditional means, but many of these connections may not view their books as something they’ll want to purchase.

I’ve done quite a bit of networking, but I have been reading Crush It! by social media expert and entrepreneur Gary Vaynerchuk, and he’s been blowing my mind. I usually drop by some blogs to leave comments and contribute to writing forums, but he advocates a scale of networking that few would ever consider.

I sure didn’t!

I could try to describe it to you, but to be honest, I’d be doing you a disservice because I can’t do his methods justice. Crush It! is available at a pretty low price as a Video Book, which I highly recommend, though it’s also available in print. You may not do everything Vaynerchuk suggests, but I think he’ll give self-published authors the reality check they need about how involved the marketing process will be for their books.

An author who is new to the publishing process will underestimate the amount of work necessary for marketing. Count on it. As a published author I still underestimate the amount of work I need to do. Before you invest heavily into a book, begin marketing yourself and making connections today. It’s a worthwhile investment you won’t regret.   

Next Steps

• Check out the free online marketing guide at www.pathtopublishing.com.
• Pick up Get Known Before the Deal, a must-read for authors new to marketing their work.
• View a sample of Crush It! by Gary Vaynerchuk at vook.com.

What Self-Publishing Involves

The most important word in self-publishing is “self,” not publishing. The publishing part is fun. The self part is not.

Of course self-published authors boast higher royalties, greater control, and many other benefits. These are all true to a certain extent, but consider what you’ll need to organize by yourself:

• Researching the market and audience for your book.
• Outlining, writing, and editing.
• Researching a publisher and comparing the various packages.
• Paying for and organizing the editing, design, printing, and distribution (which of course will vary).
• Putting together a marketing plan.
• Creating a publicity kit
• Contacting bloggers, radio producers, newspaper editors, and other media outlets about your book’s release.
• Contacting independent and chain book stores to set up book events. Many of them will not call you back because you are self-published.
• Finding conferences where you can sell your book—that is, if you pay for the space.
• Setting up book events and eating the cost if they flop.

Granted, many publishers today are quite light on the marketing end of things, especially for nonfiction books where a marketing platform is essential for new authors. That being said, at least having someone who is paid to help you send out press releases and to advise you on ideas can save you a lot of time and frustration. In other words, even the publisher who provides minimal help with marketing a book is still way better than doing everything yourself.

What You Need to Know about the Publishing Business

If all of this is new to you, then I’m guessing you’ve never commercially published a book. While self-publishing is easy to jump into from the standpoint of writing and printing a book, making it into a product that someone will actually deem worthy of $15 is quite another matter.

Here are a few things you need to know about publishing as a business:

• Most books need significant editorial development.
• It takes time to learn how to write for a specific audience.
• A bad cover and sloppy interior design can be fatal for a book.
• Distributing a book effectively will take a lot of e-mails and phone calls.
• Marketing a book is a full time job.

If you want to self-publish and to sell more than 500-1000 books, your work is cut out for you. Thankfully it can be done. In the coming days we’ll discuss the importance of a marketing platform for self-publishing.

Looking for a bit more about publishing right now? Check out A Path to Publishing. It’s available for $10 as an ebook and for $15 as a paperback.

Good books are rejected because of similar books.

You may have a great idea and you may be an incredible writer, but if someone has written a similar book, especially for your publisher, you may be out of luck. In addition, there may be projects in a publisher’s pipeline that you could never know about unless you submitted your proposal.

That isn’t to say that different publishers will back away from your book if there are similar books. You just need to show that it has a unique message or perspective that distinguishes it from its competition.

Good books are rejected because of different focuses at a publisher.

You may have addressed an important topic, and that topic may be within the interests of a publisher, but perhaps you wrote a book that didn’t strike the right angle or genre for that publisher. One publisher may aim for literary books, while others may opt for the academic route.

Good books are rejected because of cuts or changes with editors.

Sometimes publishers may change their focus or even eliminate a line of books. With new editors come new criteria for accepting books. Editorial changes will mean a book that may have been accepted a few months ago will no longer work for a publisher. Timing and luck are huge factors when pitching book and article query letters.

Good books are rejected because editors don’t always know what they want.

While publishers have guidelines and specifications, they don’t always know what book would work best. This is something that some editors themselves have admitted.  See editorial veteran Leonard Goss’ endorsement for my new book A Path to Publishing.

That doesn’t mean that all editors are fickle and indecisive, and you should never tell them what they want. Rather, they always aren’t able to know what exactly will work and what will not. There are plenty of stories of best-selling books passing through a series of rejections before finding success. The moral is that editors are human like you and me, and that publishing is not an exact science—as it should be.

Good books are rejected because of publicity concerns.

Even if you’ve written a great book, some publishers may reject your proposals because they fear they’ll be unable to market it to a particular group of people or that you aren’t popular enough to promote it. Those are big problems for writers to deal with, but at least they aren’t necessarily marks of a poorly written book.

In addition, if you are able to write a good book, you can certainly work on raising your profile and reworking your material so that it speaks more directly to an audience of readers. These are big problems, but they don’t spell doom for you as a writer.

While reviews, social media, and web sites are all part of extending a marketing platform, these pieces should not be confused with making very personal connections with readers. Twitter and blogs are great, but they have their limits.

The Kind of Connections Authors Need

From what I can tell, my greatest success in selling books has come from personally talking with readers whether through personal conversations, events, e-mail, or interaction on web sites.

When I have a chance to share my passion for my book, I have a much greater chance of convincing readers to spend their hard-earned money on it. However, reaching potential readers with your personal message and creating enough trust for them to spend money on your book requires a fairly significant number of connections with readers.

I personally would not endorse every method used by authors out there to sell books and some will be more difficult for new authors to use effectively, especially radio and television, but there are lots of ideas out there about building a platform that will help you speak directly with readers and develop a level of trust for you and your book from a monthly newsletter with valuable information to a niche-focused public event.

How to Connect with Readers

Building a platform begins with the question, “How can I effectively connect with readers interested in my topic?” Keep in mind, this isn’t the same as advertising, and posting to a web site is probably the least personal way to do this, making it generally less effective.

I’m building my e-mail newsletter, working on some videos, leading workshops with local community and arts organizations, and connecting with various podcasts, but the possibilities are endless. I’ve been encouraged to hear from a respected author and friend that he finds my newsletter very valuable, and many of those who attend my workshops give me positive feedback. It’s good to know I’m doing a few things right, even if there’s always a lot more to do.

The hardest part about building these connections with readers is starting small. You may begin with twenty newsletter subscribers and workshops with only five attendees. However, if you continue to make connections, to help people with your material, and to build on those relationships, you should be able to connect with enough readers who will not only trust you enough to buy your book, they may also recommend it to others.

Previously in this Series:

Two Things That Sell a Lot of Books: #1

Also in this series: Five Great Things That Don’t Sell a Lot of Books

Great Endorsements

A Great Forward

Great Reviews

Social Media

A Web Site

It’s one step removed from having a conversation with yourself.

I’ve heard lots of people unfamiliar with Twitter deride it as a silly exercise in narcissism. For those new to blogging and social media, it’s either intimidating or simply beyond their comprehension.

However, if you want people to read your blog, to learn about your work, and to hopefully pass it on to others, Twitter is an indispensable tool that you’ll learn to love once you figure it out. By signing up and then learning a simple program such as Tweet Deck (or HootSuite), you’ll soon find yourself tweeting the praises of this service. Here are a few reasons why you need to start tweeting:

It’s Easy to Follow and Connect

Start off by following all of your favorite bloggers and authors. Also do searches for those with similar interests. Using a tool like “Twitter Local” will enable you to search for users in your locale.

Following them is as easy as a click, they’ll receive an e-mail that you’re following them, and they may even follow you back. Over time you’ll notice mentions and “ReTweets” (RT) that are particularly interesting, and now you have other interesting folks to follow. After you have a few followers, sign in to Mr. Tweet to get recommendations of others to follow.

It’s Easy to Share Information

OK, now you’re on Twitter and you have a few followers, but what’s next? Did you just finish a blog post and begin to worry that no one will read it? Copy the link to your post, type something like this into the status update in Tweet Deck: “New blog post ‘Title’”, and then paste the link in there. Tweet Deck can shorten the link for you automatically.

Once you send it out there, you’ve just alerted folks to your blog post. About three to four hours later post a reminder tweet that your blog post is our there just in case anyone missed it. If someone loves your post, they may Retweet it and share it with others.

It’s a Community

As you post your own updates, share links, and send out blog post alerts, you’ll find yourself in conversations with other users on Twitter. You can either reply with a public comment or you can send a private direct message to someone who has reciprocated your follow.

You’ll find your network of friends and colleagues expanding, your knowledge of blogs and other valuable information growing, and your own work reaching new readers. I find that I rarely check my RSS subscriptions these days since I’m already following my favorite bloggers in Twitter.

The Love You Take…

Twitter is only as good as your last tweet, so be sure to write up valuable updates, share solid content, and ReTweet generously when you find something excellent. Twitter is one of those services that can become a huge waste if you don’t manage your time and content wisely.

As the Beatles said, “The love you take is equal to the love you make.”

Put into it’s proper place, Twitter is an indispensable networking, marketing, and friend-making tool that in many cases thrives on excellence and generosity. For bloggers worried about finding readers for their posts, Twitter is the perfect place to spark the conversations all writers long to have.

I’ve thought about this a lot, but I think the solution is a both/and scenario rather than an either/or.

Revisit and Recycle Ideas in Various Mediums

Experienced writers learn that they can explore ideas and topics from a variety of angles with differing degrees of detail. If a writer can revisit or recycle an idea for two different magazines, then why not explore your idea on a blog and then later in a book or magazine article?

One author was quite resistant to the thought of charging readers for the ideas of his book, but a friend added some clarity by pointing out that most of his ideas in the book were available at no charge on his web site. However, the material in his book had a higher degree of refinement and clarity that some would be willing to pay for, which leads to my next thought.

Different Mediums Require Different Processes

The book publishing process involves numerous drafts, editorial development of ideas and a team of publishing professionals walking authors through each step of the process. There is a lot of revision and planning involved in writing a book. 

Blogs on the other hand are typically the work of a solitary writer or a small team of writers. I look at a blog post as a really good first draft. For a blog post I won’t write a draft, revise it, send it to an editor who suggests major changes, make my revisions, send it back to an editor for additional comments, make additional changes, and then send it off to a fact checker. Even uber-blogger Guy Kawasaki can’t afford to put that much time and involve that many people in a blog post.

That isn’t to say that blog posts are poorly written, only that the content found in books has gone through a different process. We can debate whether the book writing process is worthwhile, and in the case of some books it is not, but the final product often looks quite different from a blog post.

Some Content is Worth Paying For

Content that undergoes a rigorous editorial and design process in magazines and books may carry a price tag, but I still believe it is worthwhile to make some ideas available in these forms. They carry greater authority because they have passed through editorial boards and will tend to be of higher quality because multiple contributors were involved in the production process.

That is not a guarantee that books or magazines will always produce better content than blogs or self-published books and ebooks. There are some rather notable exceptions. However, I guarantee that almost every book produced by a major publisher will have certain advantages over a self-published book or an ebook given away for free. Whether it’s distribution, editorial development, or layout.

The Big Decision

Writers face the big decision of deciding which process works best for themselves and their ideas. If an idea is big enough to merit a long series of blog posts, then perhaps it’s worth working with those ideas for a future book project.

There are a lot of books out there with fairly simple ideas that are not capable of filling a full-length book. In those cases it’s worth it for writers to consider turning them into several solid magazine articles that may well reach more readers than a typical book.

Marketing expert Seth Godin tells writers to spend at least three years working on a blog and developing a ready audience of writers who will buy their books once released. That is a great guideline for writers and one that I have found to be true in my own experience. Blogs give writers great practice are writing regularly for the public and provide a chance to find a particular voice, angle, or, dare I say, brand.

Amazon has added a great new feature for Associates that integrates an associates ID with links to books on Twitter. Users can now post links to books right from the Amazon home page, much like posting from a news site.

This is a great way to utilize Twitter in both making book recommendations and providing an extra revenue stream. This will not be for everyone, but for those engaged in recommending books, products, or in sharing expertise in a particular field, I see some potential for growth.

After using Amazon Associates for a good two to three years on my blog and e-mail newsletter, I personally haven’t seen too much of a need for it in those mediums. For the most part this is tied to my blog’s topic (Christian theology), the number of readers I draw, and the income generated per sale doesn’t make it worth the effort to embed my associates ID with every book.

To make it worth my while I would need a wider audience and more marketable products to sell. An economic recovery wouldn’t hurt either. If I blogged on politics, technology, marketing, or online commerce, I could very well see the value in generating revenue from an associates account on book and other product purchases.

Nevertheless, from time to time I recommend books, mark some for my wish list, or save others in my del.icio.us bookmarks. Using this Twitter feature is yet another way to share content with friends. The potential to earn even a quarter adds a little incentive to do something I would consider doing without the promise of revenue.

The e-mail notice I received from Amazon said the following:

By clicking on the Share on Twitter button in the Site Stripe, a new window will open and an Amazon-generated message is pre populated in the ‘What are you doing?’ text area of your Twitter account (you may be asked to log in to your Twitter account). That message will include a shortened URL that already includes your Associates ID. You’ll have the option to edit this message or simply hit the ‘Update’ button to post to your Twitter account. When Twitter users click on the link in your post and make a qualifying sale, you’ll earn referral fees.

With the immediacy, large number of potential readers, and ability to share that Twitter provides, I think this is a great idea. Though I’ve given up on using Amazon Associates on my web site, I think I’ll give this Share on Twitter feature a shot.

The goal of an influencer mailing for a newly published book is to put your book into the hands of folks with trusted names, contact with a large audience, and a willingness or ability to endorse your book. Missing any of these three things will mean your book either ends up on someone’s shelf or at least doesn’t reach a wide group of potential readers.

The solution is to carefully balance the kinds of influencers you contact. It is rare to find an influencer who meets all three criteria perfectly. Nevertheless, it’s worth sending copies to well-known influencers in the media or in your field, especially if you’ve had contact with them in the past.

Let’s say you send out 5-15 of your 50 influencer copies to folks in this camp. Maybe they won’t have the time to take a look at your book, but should they endorse it, you’ll have a chance to reach a broader audience. It may be worth taking a chance on some radio personalities, especially if their shows connect with your potential readers.

The next 20-30 copies should go to those who have a solid following or niche that trusts them and will be willing to interact with your work. There are a lot of very good blogs and podcasts out there with readers and listeners who may very well give your book a shot. In fact, because these are highly interactive networks with a higher trust factor than perhaps those with a bigger name, the potential readers in these networks may be more willing to buy your book.

I think this segment is easy to overlook because their reach may be in the hundreds or low thousands. However, keep in mind that these influencers will be easier to contact, more likely to interact with you, and have a lot more to gain if you can provide content for their blogs/podcasts as opposed to a major media player with lots of options for their shows. In addition, providing these bloggers and podcasters with a free book or two to give away always helps.

Lastly, never underestimate those the power of those with small audiences who are still very trusted and willing to endorse your book. Be sure to set aside about 10-15 copies for this group. With Twitter and Facebook even the smallest blogs can easily plug a book among hundreds of people. If you can provide an influencer who is passionate about your book with some great interviews, excerpts, and a free copy to review, your book may receive a lot more attention than a brief endorsement from a well-known influencer.

At the end of the day, it’s most important that authors connect with influencers who are passionate about their work and willing to talk about it. If you can put a free copy of your book into the hands of someone willing to talk about it, you’ve done the most important part of an influencer mailing.

Nevertheless, your work is not done. Authors need to make themselves available to help each influencer talk about their work, supporting them, and driving traffic to their web sites. Book publicity is always a two-way street. There is no room for the entitled author.

Previously…

• Selecting influencers for a book release: The Goal
• Selecting influencers for a book release: The Problem

When you begin selecting influential people to help spread the word about your book, keep in mind the three qualities that you’re looking for: trusted names, contact with a large audience, and a willingness or ability to endorse your book.

In compiling my own list of influencers I worked very hard to contact those with large audiences and a trusted name, but I didn’t necessarily gauge the likelihood that they would plug my book. Keep in mind that the bigger a name, the more books he/she will receive. They can’t read every book that comes onto their desks, and so the question is, “Will this person both read and talk about my book?”

If an influencer doesn’t read your book, it’s nothing personal. There are only so many hours in a day. In addition, some may hope to read and talk about your book with their audience only for your book to fall through the cracks. Within days of receiving my book one well-meaning influencer realized he wouldn’t have time to read it and so he gave it away on his web site.

No exactly the ideal publicity you’re aiming for.

And so the challenge you face is balancing the audience size and trust of an influencer with that person’s ability to plug book whether in conversations or in an online or on-air review. However, the right kind of influencer for your book may not have that large of an audience and may even look quite different from what you expcet.

The next installments in this series…

• Selecting influencers for a book release: The Solution

Previously…

• Selecting influencers for a book release: The Goal

Selling a book tends to be a very personal, one on one process. Advertising may raise awareness, but anything from a friend’s recommendation, a book seller’s comments, or an online review often makes the difference between a book staying on the shelf or ending up on the nightstand. In addition, a series of solid reviews do not guarantee brisk sales, just as negative reviews do not equal a book’s doom.

There is plenty of competition these days for not only the public’s attention, but also for the public’s disposable income. When trusted authorities recommend a book, authors have one more way to connect a book with readers. Influencers can vouch for an author’s credibility and provide a broad point of connection with potential readers.

The ideal influencers will have trusted names, contact with a large audience, and a willingness to endorse your book. Influencers may lead to direct sales or at least give readers another reason to recommend your book.

An influencer without one of these three qualities may not be a helpful contact. In the next post of this series I’ll look into some of the problems authors encounter in putting together an influencer list.

The next installments in this series…

• Selecting influencers for a book release: The Problem
• Selecting influencers for a book release: The Solution

A friend of mine who’s an editor and an agent, a guy who strikes me as pretty smart and sharp, sent out a very professional-looking e-mail newsletter with Mail Chimp. I’m pretty sure he used the free option.

I’ve already been using the Mail Chimp two-column newsletter template for two years. It’s sharp, easy to customize, and easy to read. Now I’m sold on Mail Chimp as a newsletter service.

Most services either have a monthly fee or a steep one-time fee. In my own case, I’m sending out a newsletter once a month to just over 100 subscribers. I have no longer have any interest in buying a service such as AWeber with all of the bells and whistles. In fact, I found AWeber a bit too advanced and expensive ($20 per month) for my needs. Perhaps it’s the best bet for a large company, but all I want to do is safely send nice-looking newsletters and look at a few stats regarding who opened it and what they clicked on.

That’s right, I know who reads my newsletters.

Mail Chimp does all of that, and now is offering a plan called Forever Free. Your contact list can grow to 500 subscribers and you have 3,000 sends per month. So even at the top end of your subscription limit, you can send 6 newsletters per month. In addition, the newsletter set up, subscriber list import, and dashboard features are ridiculously intuitive.

I found AWeber unnecessarily difficult to navigate, and the newsletter set up features confusing. I lost a couple e-mail drafts because it’s so darn quirky. They constantly offered webinars to teach you how to use the service, but I’d much rather use a service I can figure out the first time I use it. I know AWeber has its evangelists, but I’m now a believer in Mail Chimp.

For a writer or an artist who simply wants to keep in touch with friends and to offer some free content and promotions, I can’t imagine ever needing anything other than Mail Chimp.

I’d like to tackle this from the perspective of a writer. Writers face the tricky matter of essentially “selling” ourselves and our talents of weaving words together. Readers and publishers look for someone with name recognition, and so writers must think of ways they can “make a name for themselves.” If you’re familiar with the biblical story of the tower of Babel, you may recall that the attempt of humanity to do such a thing resulted in their language being garbled by God.

Such a prospect is not necessarily encouraging for writers—especially a Christian writer.

The only way I can see handling this delicate matter of self-promotion in a way that avoids the exploitation of friends, family, and acquaintances is the following:

1. Only promote what may help them. If I’m hoping they’ll buy my book and I send updates and links their way to that end, then the book I write should be of value to them.
2. Don’t bombard anyone. I try to only send a manageable number of updates about myself and my work via twitter and facebook. I don’t want anyone to become tired of my endless stream of self-promotion. Everyone has a different limit here, so be cautious.
3. It’s not all business. Part of keeping in touch with friends and family is adding some color from your own life, sharing pictures and stories that may be funny, interesting, or unusual. Don’t stick to mere work concerns in social media.

I can’t say for sure if I’ve done this perfectly, but as a writer who has to walk this fine line, I find that friends and family generally want to know what I’m up to. Therefore, it’s my job to keep them in the loop without wearing them out with my updates.