Posts Tagged ‘publicity’

10
June

What You Need to Know About Self-Publishing: Get Known First

In conjunction with the release of my self-published book A Path to Publishing: What I Learned by Publishing a Nonfiction Book, I’m offering this series of posts on what you need to know about self-publishing.

When you’re self-publishing all of the work falls on you, the author. No matter how much published authors complain about the lack of marketing support provided by their publishers, which can be spotty at times, the worst publicist will do more than upload a file to a web site, which is all you’re doing when self-publishing.

The Basic Ways Publishers Market

Publishers have established lists of contacts who receive their catalogues, e-mail newsletters, and browse their web sites. They represent authors at book stores and can send releases out to major press services—something that can be quite costly to do on your own.

The staff at publishers generally have social media accounts and blogs, and they may even generate some buzz for your book through these tools. At the very least these publishing professionals will tell potential readers about your book. You’ll at least have a few warm bodies with a measure of interest in selling your book.

Any way you slice it, the least that a publisher provides still puts their authors way ahead of the self-published ones.

What Self-Published Authors Need to Do

While it’s important to seek out some reputable endorsers and reviewers who have a large group of readers, I don’t think self-published authors realize the number of readers they need to pull off a self-published book that sells more than 25-50 copies. Simply put, self-published authors need a massive number of connections with potential readers.

The “potential reader” part of this is crucial. Authors may have lots of “connections” through social media, their blogs, or more traditional means, but many of these connections may not view their books as something they’ll want to purchase.

I’ve done quite a bit of networking, but I have been reading Crush It! by social media expert and entrepreneur Gary Vaynerchuk, and he’s been blowing my mind. I usually drop by some blogs to leave comments and contribute to writing forums, but he advocates a scale of networking that few would ever consider.

I sure didn’t!

I could try to describe it to you, but to be honest, I’d be doing you a disservice because I can’t do his methods justice. Crush It! is available at a pretty low price as a Video Book, which I highly recommend, though it’s also available in print. You may not do everything Vaynerchuk suggests, but I think he’ll give self-published authors the reality check they need about how involved the marketing process will be for their books.

An author who is new to the publishing process will underestimate the amount of work necessary for marketing. Count on it. As a published author I still underestimate the amount of work I need to do. Before you invest heavily into a book, begin marketing yourself and making connections today. It’s a worthwhile investment you won’t regret.   

Next Steps

27
April

How to Handle Rejection as a Writer: It’s Not You, It’s Me…

Rejection is not always a reflection on you or your work. In fact, there are many good books and articles rejected each day for a variety of reason.

Good books are rejected because of similar books.

You may have a great idea and you may be an incredible writer, but if someone has written a similar book, especially for your publisher, you may be out of luck. In addition, there may be projects in a publisher’s pipeline that you could never know about unless you submitted your proposal.

That isn’t to say that different publishers will back away from your book if there are similar books. You just need to show that it has a unique message or perspective that distinguishes it from its competition.

Good books are rejected because of different focuses at a publisher.

You may have addressed an important topic, and that topic may be within the interests of a publisher, but perhaps you wrote a book that didn’t strike the right angle or genre for that publisher. One publisher may aim for literary books, while others may opt for the academic route.

Good books are rejected because of cuts or changes with editors.

Sometimes publishers may change their focus or even eliminate a line of books. With new editors come new criteria for accepting books. Editorial changes will mean a book that may have been accepted a few months ago will no longer work for a publisher. Timing and luck are huge factors when pitching book and article query letters.

Good books are rejected because editors don’t always know what they want.

While publishers have guidelines and specifications, they don’t always know what book would work best. This is something that some editors themselves have admitted.  See editorial veteran Leonard Goss’ endorsement for my new book A Path to Publishing.

That doesn’t mean that all editors are fickle and indecisive, and you should never tell them what they want. Rather, they always aren’t able to know what exactly will work and what will not. There are plenty of stories of best-selling books passing through a series of rejections before finding success. The moral is that editors are human like you and me, and that publishing is not an exact science—as it should be.

Good books are rejected because of publicity concerns.

Even if you’ve written a great book, some publishers may reject your proposals because they fear they’ll be unable to market it to a particular group of people or that you aren’t popular enough to promote it. Those are big problems for writers to deal with, but at least they aren’t necessarily marks of a poorly written book.

In addition, if you are able to write a good book, you can certainly work on raising your profile and reworking your material so that it speaks more directly to an audience of readers. These are big problems, but they don’t spell doom for you as a writer.

08
March

Two Things that Sell a Lot of Books: #2 A Trusted Name with an Extensive Platform

Whether you have a popular web site, a radio show, an informative newsletter, or professional credentials, selling a book requires a personal connection. Selling a lot of books requires this level of personal trust on a large scale.

While reviews, social media, and web sites are all part of extending a marketing platform, these pieces should not be confused with making very personal connections with readers. Twitter and blogs are great, but they have their limits.

The Kind of Connections Authors Need

From what I can tell, my greatest success in selling books has come from personally talking with readers whether through personal conversations, events, e-mail, or interaction on web sites.

When I have a chance to share my passion for my book, I have a much greater chance of convincing readers to spend their hard-earned money on it. However, reaching potential readers with your personal message and creating enough trust for them to spend money on your book requires a fairly significant number of connections with readers.

I personally would not endorse every method used by authors out there to sell books and some will be more difficult for new authors to use effectively, especially radio and television, but there are lots of ideas out there about building a platform that will help you speak directly with readers and develop a level of trust for you and your book from a monthly newsletter with valuable information to a niche-focused public event.

How to Connect with Readers

Building a platform begins with the question, “How can I effectively connect with readers interested in my topic?” Keep in mind, this isn’t the same as advertising, and posting to a web site is probably the least personal way to do this, making it generally less effective.

I’m building my e-mail newsletter, working on some videos, leading workshops with local community and arts organizations, and connecting with various podcasts, but the possibilities are endless. I’ve been encouraged to hear from a respected author and friend that he finds my newsletter very valuable, and many of those who attend my workshops give me positive feedback. It’s good to know I’m doing a few things right, even if there’s always a lot more to do.

The hardest part about building these connections with readers is starting small. You may begin with twenty newsletter subscribers and workshops with only five attendees. However, if you continue to make connections, to help people with your material, and to build on those relationships, you should be able to connect with enough readers who will not only trust you enough to buy your book, they may also recommend it to others.

Previously in this Series:

Two Things That Sell a Lot of Books: #1

Also in this series: Five Great Things That Don’t Sell a Lot of Books

Great Endorsements

A Great Forward

Great Reviews

Social Media

A Web Site

02
November

Selecting Influencers for a Book Release: The Solution

Wrapping up my 3-part series on selecting influencers for a book release…

The goal of an influencer mailing for a newly published book is to put your book into the hands of folks with trusted names, contact with a large audience, and a willingness or ability to endorse your book. Missing any of these three things will mean your book either ends up on someone’s shelf or at least doesn’t reach a wide group of potential readers.

The solution is to carefully balance the kinds of influencers you contact. It is rare to find an influencer who meets all three criteria perfectly. Nevertheless, it’s worth sending copies to well-known influencers in the media or in your field, especially if you’ve had contact with them in the past.

Let’s say you send out 5-15 of your 50 influencer copies to folks in this camp. Maybe they won’t have the time to take a look at your book, but should they endorse it, you’ll have a chance to reach a broader audience. It may be worth taking a chance on some radio personalities, especially if their shows connect with your potential readers.

The next 20-30 copies should go to those who have a solid following or niche that trusts them and will be willing to interact with your work. There are a lot of very good blogs and podcasts out there with readers and listeners who may very well give your book a shot. In fact, because these are highly interactive networks with a higher trust factor than perhaps those with a bigger name, the potential readers in these networks may be more willing to buy your book.

I think this segment is easy to overlook because their reach may be in the hundreds or low thousands. However, keep in mind that these influencers will be easier to contact, more likely to interact with you, and have a lot more to gain if you can provide content for their blogs/podcasts as opposed to a major media player with lots of options for their shows. In addition, providing these bloggers and podcasters with a free book or two to give away always helps.

Lastly, never underestimate those the power of those with small audiences who are still very trusted and willing to endorse your book. Be sure to set aside about 10-15 copies for this group. With Twitter and Facebook even the smallest blogs can easily plug a book among hundreds of people. If you can provide an influencer who is passionate about your book with some great interviews, excerpts, and a free copy to review, your book may receive a lot more attention than a brief endorsement from a well-known influencer.

At the end of the day, it’s most important that authors connect with influencers who are passionate about their work and willing to talk about it. If you can put a free copy of your book into the hands of someone willing to talk about it, you’ve done the most important part of an influencer mailing.

Nevertheless, your work is not done. Authors need to make themselves available to help each influencer talk about their work, supporting them, and driving traffic to their web sites. Book publicity is always a two-way street. There is no room for the entitled author.

Previously…

27
October

Selecting Influencers for a Book Release: The Problem

Continuing my 3-part series on selecting influencers for a book release…

When you begin selecting influential people to help spread the word about your book, keep in mind the three qualities that you’re looking for: trusted names, contact with a large audience, and a willingness or ability to endorse your book.

In compiling my own list of influencers I worked very hard to contact those with large audiences and a trusted name, but I didn’t necessarily gauge the likelihood that they would plug my book. Keep in mind that the bigger a name, the more books he/she will receive. They can’t read every book that comes onto their desks, and so the question is, “Will this person both read and talk about my book?”

If an influencer doesn’t read your book, it’s nothing personal. There are only so many hours in a day. In addition, some may hope to read and talk about your book with their audience only for your book to fall through the cracks. Within days of receiving my book one well-meaning influencer realized he wouldn’t have time to read it and so he gave it away on his web site.

No exactly the ideal publicity you’re aiming for.

And so the challenge you face is balancing the audience size and trust of an influencer with that person’s ability to plug book whether in conversations or in an online or on-air review. However, the right kind of influencer for your book may not have that large of an audience and may even look quite different from what you expcet.

The next installments in this series…

  • Selecting influencers for a book release: The Solution

Previously…

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